The HyperDeck Extreme 4K HDR is an innovative broadcast deck with advanced H.265 4K recording combined with touch screen user interface and traditional broadcast deck controls.
The HyperDeck Extreme 4K HDR features the reliability of HyperDeck, combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 4K recording and playback, and HDR support. With the ability to record native 4K in H.265, users get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of the recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme 4K HDR is the perfect solution for the next generation of broadcast, live production, and digital signage.
The HyperDeck Extreme 4K HDR has an innovative touch screen user interface with deck controls as well as a large screen to view the recording. Then add an optional HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob. Customers can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, 12G-SDI for 4K / UHD, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on-location use.
Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped.
With its amazing versatility, HyperDeck Extreme 4K HDR is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 4K is easy with HyperDeck Extreme as it has 10 Gigabit Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.
The optional HyperDeck Extreme Control lets customers connect to legacy broadcast decks, set an in and an out point, then edit. Just combine HyperDeck Extreme 4K HDR and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It's even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. Customers can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.
The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs. Users also get direct buttons for transport control, enabling the 3D LUT and remote enable.
HyperDeck Extreme Control extends their HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. Customers can control up to 8 decks via industry standard RS-422 control. Customers can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS-422, customers can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus customers can even edit between frame rates if standards converting between formats.